• theneverfox@pawb.social
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    3 hours ago

    I always think back to this one quote, something like

    You can tell the morals of a society by the myths they tell themselves. We tell stories of heroes who save the world then quietly go back to their day job until they’re needed again

    • Zizzy@lemmy.blahaj.zone
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      13 minutes ago

      I read that and I actually think positively on it. To me, i read it as the good person doesnt stand by and do nothing, they fight evil as it crops up, even at the cost of their peaceful life they desire. Im not sure I can agree to any one type of story them we tell though. Its pretty varied.

  • Semjaza@lemmynsfw.com
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    3 hours ago

    If only there was some record of US military budget being spent on making these films and limiting the way that the US and it’s armed forces could be portrayed in these films… Surely not.

  • funkless_eck@sh.itjust.works
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    3 hours ago

    superheroes are “benign” fascists, it’s fiction that would never work. Even in the gooest, saccharine interpretations I would be the one criticizing superman lol

    • Phoenicianpirate@lemm.ee
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      10 minutes ago

      Also it bleeds into other media. Like the kid’s show Paw Patrol. I am obviously far too old to watch the show and while I have enjoyed watching kids stuff from time to time I just haven’t been able to spare rhe time for that one.

      However based on a cursory knowledge of it and reviews from youtubers the show has some really bad ideas in the subtext.

      Firstly the shows basic services in the community are fully privatized. They even have some scenes where outsiders want to call the cops or some other local service only to be reminded by locals that in that community they are done by this kid and his dogs.

      Also that kid who commands paw patrol? He is like the avengers in that he lives quite apart from the community he is supposed to be serving.

      This is akin to how billionaires don’t just live far away… they live REALLY far away and secluded from most people and don’t interact with them directly. This is despite the fact that they control extremely critical assets to the community, they are not just isolated from the community, they are also unaccountable to them.

    • Semjaza@lemmynsfw.com
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      3 hours ago

      Ironically Superman is one of the least fascy superheroes, at least when written by anyone who understands the character.

  • piyuv@lemmy.world
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    3 hours ago

    Some versions do try to tell a more complex story, like The Boys and Invincible. My Hero Academia is also there as an anime

  • WhiskyTangoFoxtrot@lemmy.world
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    10 hours ago

    That’s the problem with superhero stories. The story needs to begin and end with the world in a state similar to our own (for relatabilitiy and sequel potential) despite the vast power of its protagonist, so the hero must ultimately be concerned with preserving the status quo.

    It’s one of the reasons why superhero movies are in decline now that all the most famous storylines have already been adapted, and why comic book sales have been going downhill ever since they started taking themselves seriously.

  • Makeitstop@lemmy.world
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    18 hours ago

    Sam Raimi Spider-man spent most of his time saving people from imminent harm and stopping armed robberies. He fought the CEO of a company that developed military technology who was killing people to hang onto his position of power and wealth. He then fought a mad scientist that spent the entire movie putting innocent people in danger, attacking Spider-man and ultimately risking the deaths of millions out of an obsession and the influence his technology had over him. In the third one… he turns into a bit of a dick for a while because he’s being partially controlled by an alien, and the theme for all three villains is revenge. At no point in the trilogy does he target anyone who is trying to make a political or social change, just people that are attacking him personally and/or putting innocent bystanders in harm’s way.

    In the Amazing Spider-Man movies he pretty much just fights a guy who is trying to turn everyone into lizards, his own stalker who just happens to get electricity powers, and the rich brat that blames him for not giving him blood samples which he thinks will cure his disease (they won’t, but the reason for the refusal is still poorly defined).

    MCU Spider-man gets recruited to fight half the avengers, which might play into this if the civil war was about a larger societal issue, but it wasn’t. As far as the movie presents it, the entire issue is about the rules governing the avengers themselves and the fate of Bucky. Arguably the Captain America side is presented more favorably, but that too would go against the point the comic is making because they are the ones resisting the status quo and sticking it to the man.

    And in his actual movies, MCU spider-man fights a guy who is flooding the streets with high tech weapons just for the money, a con man that’s willing to kill innocent people to make himself look like a superhero, and all those villains from the previous continuities who is actually just trying to send home.

    Maybe spider-man was a bad example. Surely the rest of the MCU must be pro-government propaganda, right?

    Iron Man 1: Rich selfish asshole has a wake up call, realizes that harm he’s done by filling the world with weapons, immediately exits the arms industry and dedicates his company to developing peaceful technologies to help the world. Uses the technology he developed to intervene in conflicts where civilians are getting massacred and no one is willing to do anything about it. Defies the US military to do it. The villain is a greedy executive that tries to kill Tony to seize control of the company and continue building weapons.

    Iron Man 2: Tony is continuing his policy of protecting people in war zones, in defiance of an angry US government. The government tries to steal his suit for the military, and works with a rival company to develop drone versions which Tony destroys.

    Iron Man 3: Wouldn’t you know it, another company developing military tech is run by an evil guy and is killing innocent people.

    Captain America: Literally fighting Nazis.

    Captain America 2: Fighting the Nazis that have infiltrated the US government.

    Captain America 3: Fighting to save his friend in defiance of a government that would rather kill him than bring him in peacefully.

    Thor: Shakespeare in space, plus Thor learns humility.

    Thor 2: Blowing up the universe is bad.

    Thor 3: Thor literally helps start a revolution to overthrow a dictator.

    Thor 4: The gods are assholes who should care more about people.

    The Incredible Hulk: Science man good, military guy bad. Smashy smashy.

    Ant Man: An ex con who went to jail for hacking a corrupt corporation gets recruited by a scientist who helps him take and an evil CEO of a corrupt corporation.

    Alright, I’m not listing any more, there’s a million of these things, you get the idea.

    • Uruanna@lemmy.world
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      52 minutes ago

      Iron Man 1: Rich selfish asshole has a wake up call

      More precisely, the wake-up call being: the weapons that he sold to the US military as a war profiteer have ended up in the hands of the enemies and he gets blown up with a missile that has his name on it. It was rather on point.

    • Sterile_Technique@lemmy.world
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      15 hours ago

      Captain America 2: Fighting the Nazis that have infiltrated the US government.

      …my memory must be shit; I don’t remember Captain America ever fighting DOGE…

    • Semjaza@lemmynsfw.com
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      18 hours ago

      I took this to be about MCU specifically, so I’ll skip the first two Spiderman film continuities.

      Homecoming - the villain is a lower class guy who has been screwed by the fallout of the Avengers and is making money to improve his family off of it. He is somewhat sympathetic, but the moral of the story is trust in the authorities because a well meaning guy will fix the hiccup in the system, and responding to systemic issues with force is wrong. Could be argued the real villain is Tony Stark.

      I did not see the remaining MCU Spidermen, but they look to focus on more otherworldly Meta-continuity forces.

      Black Panther - the villain is an extremist with a point. Killmongers desire for revenge and modes go too far. He should be better, like the royal family are. Luckily Killmonger inspires the legitimate authority to make a choice to do more and be more benign. Maybe he just should have trusted in the legitimate authorities all along and stayed inside the social bounds… Which had not made change until his use of force and theft?

      I have seen the Iron Men, but not recently enough to engage with.

      Civil War: the authorities want something that is controversial, but it turns out they weren’t the legitimate authorities, but secret Nazis trying to bring harm to everyone. The legitimate authorities had folks best interests at heart and fix everything. Could go either way, since forming a terrorist cell to fight authority is pretty radical.

      The Thanos films: Thanos’ malthusianism is presented as bad, but not actually as wrong. There have been plenty of ways at this point to show that Malthusianism isn’t accurate, (and wasn’t actually an original part of the character) but it was put in here and not debated or shown to be wrong in itself, just “bad that he did it”. Malthusian ideals are strongly linked to right wing ideologies (as well as some nutty far left ones) that have been ascendent in relatively core right wing parties in the last 20 years.

      • booly@sh.itjust.works
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        2 hours ago

        Black Panther - the villain is an extremist with a point. Killmongers desire for revenge and modes go too far. He should be better, like the royal family are. Luckily Killmonger inspires the legitimate authority to make a choice to do more and be more benign. Maybe he just should have trusted in the legitimate authorities all along and stayed inside the social bounds… Which had not made change until his use of force and theft?

        That basic theme and tension is present in a lot of black American discourse, of how much to work within the rules of the system and how much to actually violate the rules of the system in order to effectuate change. You can place a lot of the black civil rights icons onto the spectrum of how to use law breaking or violence as means to protect or advance black rights.

        During the abolitionist era before the Civil War, David Walker called on slaves to physically overpower and literally kill their masters, and Henry Highland Garnet advocated for violent rebellion to overturn slavery.

        Post-emancipation, anti-lynching advocate Ida Wells called on black families to arm themselves, to provide the protection that the law would not. Malcolm X also advocated for self defense, and predicted violence as the inevitable consequences of continued oppression of black Americans (which some took to mean he also advocated for initiating violence to advance black rights “by any means necessary,” but I personally think those views ignore nuance and context).

        Each of these controversial figures often had a more nonviolent contemporary who advocated for less violent means to win hearts and minds.

        Black Panther’s writer and director, Ryan Coogler, definitely knows all of this. He’s steeped in black history, both the history itself and the history of the art and literature and discourse around those topics. Placing that conflict and tension at the center of a freaking Marvel movie, designed to be a high budget blockbuster, was basically a work of genius.

        The movie itself ultimately takes the side that coexistence is a better goal than reversing the subjugation, to oppress the former oppressor. But that doesn’t really much fit within the debate of this original comic, of whether the superhero movies advocate for preserving the status quo.

      • Katana314@lemmy.world
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        3 hours ago

        I don’t mind saying, I’m writing a book, and this is one of the conversations near the end. One character says to another: “Yeah, things are better. But can any of us truly say that things wouldn’t have improved if that terrorist hadn’t threatened everyone?”

        Thankfully, in the story’s case, the reply to that quote is that while explosions and deaths were far more visible, a variety of powerful people were already making broad changes - just in a slower and less risky way. Of course, that’s fiction; and is not saying those things are a guarantee in the real world.

      • andros_rex@lemmy.world
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        3 hours ago

        “MILLIONS MUST DIE” is a common alt right meme, and I’m pretty sure I’ve seen references to Thanos included with it.

  • moakley@lemmy.world
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    19 hours ago

    The super hero genre is an individualist power fantasy. It’s about giving power to individuals, whereas in real life power rests in groups and systems. That includes the power to effect social change.

    It’s an escapist response to living in an impossibly complicated world where we want to do good, but we feel powerless and unable to.

    The story of a character organizing a series of protests wouldn’t really benefit from that character having super powers. Using super powers (physical force) to push political beliefs is terrorism.

    So the constraints of the genre mean that social messages have to exist alongside the A-plot power struggle. And they frequently do.

    Black Panther is about abandoning isolationism and using a government’s power and wealth to help people.

    The Avengers have an unmissable theme of not supporting the military-industrial complex. Same with Iron Man.

    Common Marvel villains include fascists, bigots, businessmen, and corrupt law enforcement, in addition to the madmen and evil gods.

    I’ve seen this point made a few times, and it just reeks of someone backfilling a reason to hate something popular without actually spending a moment to, you know, watch that thing.

    • Ilovethebomb@lemm.ee
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      19 hours ago

      Yep, it’s also worth noting that the Avengers organisation is infiltrated, and the actual superheroes end up fighting against the organisation they started.

      Spider Man in particular is often at odds with the authorities.

    • Soggy@lemmy.world
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      18 hours ago

      “I’m a Virgo” touches on some of that, including having a character with a power related to rousing speeches who organizes community action.

    • theunknownmuncher@lemmy.world
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      19 hours ago

      Your points only go skin deep and are surface level details of these films. These superhero stories are ultimately about maintaining the status quo. They never use their super special awesome powers to bring about meaningful or real change that would benefit their societies and never address the underlying issues that drive the “bad guys” to do “bad guy stuff”.

      • moakley@lemmy.world
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        18 hours ago

        So you judge the movies without seeing them and you respond to my comment without reading it?

        They never use their super special awesome powers to bring about meaningful or real change that would benefit their societies

        This is what my comment was about. You can’t make social change with super powers. Super powers are a tool of physical force. I’m sure someone could write a great story about a super hero leading a violent and justified revolution, but you can’t possibly expect that to be a hallmark of the genre.

        and never address the underlying issues that drive the “bad guys” to do “bad guy stuff”.

        That’s categorically false.

        First of all, most of the villains don’t have sympathetic goals. You want them to address the underlying issue with Red Skull trying to spread fascism? Do you have a problem with them maintaining the status quo against Loki trying to conquer the Earth?

        Second of all, they do address it when applicable.

        • Both Black Panther movies are about reconciling the antagonist’s viewpoints.

        • In Age of Ultron, Scarlet Witch and Quicksilver believe that the Avengers are a tool of western imperialism. When the Avengers are willing to sacrifice themselves to save Sokovia, Scarlet Witch joins the team.

        • Helmut Zemo has a similar perspective. They never reconcile that, but he succeeds in destroying the Avengers. The moral ambiguity is part of the point.

        They are constantly addressing the things you’re bringing up. Like I honestly don’t think you paid attention to any of these movies, because you seem to have missed some very obvious themes running through the entire MCU.

        Tony Stark’s whole character arc in the first movie is about reforming his life to make the world a better place. He stops the homicidal villain with his Iron Man armor, and then he effects actual change as a civilian, because that’s how actual change works.

        Did you miss Falcon and the Winter Soldier, where Captain America gives a big speech saying exactly what you are saying, that they need to do more to address the problems that created the villains? Or the entire arc of that character, where he realizes he’s worthy of taking up the mantle not because of any super special awesome powers, but because of his desire to use the platform to improve society?

        • The_Decryptor@aussie.zone
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          8 hours ago

          This is what my comment was about. You can’t make social change with super powers. Super powers are a tool of physical force. I’m sure someone could write a great story about a super hero leading a violent and justified revolution, but you can’t possibly expect that to be a hallmark of the genre.

          One of the marvel movies has a line about how Stark Industries is now the world leader in clean energy thanks to his arc reactor, that would have a massive societal impact and upend existing power structures, but it’d also make for a pretty boring film.

          While there would be some people who’d watch RDJ sit in meetings for 2 hours making agreements, it wouldn’t be the same amount that’d watch him put on the suit and punch people into orbit.

          Edit: Actually, on the other hand in Secret Invasion

          spoiler

          the US president has the UK prime minster assassinated on live television

          And even in universe they seem to have glossed over that.

        • theunknownmuncher@lemmy.world
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          18 hours ago

          Lmao wow what a cool-headed response.

          So you judge the movies without seeing them and you respond to my comment without reading it?

          I’ve seen them and I’ve read your comment. 🤷

          First of all, most of the villains don’t have sympathetic goals.

          Um… they are literally more often than not complex villains designed to be sympathetic to the audience, doing things “the wrong way” for reasons that the audience can relate to. Sure, you can cherry pick the one of few that are just evil because, like red skull. How about killmonger, thanos, the green goblin, doc oc, gorr the god butcher, magneto, ra’s al ghul. Even the example you provide, Loki, is one of these sympathetic villains.

          Tony Stark’s whole character arc in the first movie is about reforming his life to make the world a better place.

          In all of the Iron Man movies it plays out as a cover for his ego issues and trying to prove to Pepper Potts that his ego feeding is worth all the trouble he has caused in their relationship, it isn’t until End Game when he sacrifices himself that he completes the arc and acts with selfless motivation.

          Did you miss Falcon and the Winter Soldier, where Captain America gives a big speech saying exactly what you are saying, that they need to do more to address the problems that created the villains?

          Great that this theme was featured once in an unpopular one season show that only on Disney+ … totally applies to all the movies and changes their underlying themes

          And then… like… after his big speech… did he do it? 🤔

          • moakley@lemmy.world
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            9 hours ago

            Um… they are literally more often than not complex villains designed to be sympathetic to the audience, doing things “the wrong way” for reasons that the audience can relate to.

            I agree they do a good job of making the villains sympathetic, but their goals aren’t. We can appreciate the complexity of Loki’s relationships with Thor and Odin, but that doesn’t qualify for your criticism of wanting the heroes to “address the underlying issue”.

            Same goes for Thanos. His righteousness is what motivates him, but that doesn’t make him any less insane. There’s no reasoning with the Mad Titan (except in that one What If…? episode).

            it isn’t until End Game when he sacrifices himself that he completes the arc and acts with selfless motivation.

            He literally does the same thing at the end of Avengers. And in the meantime he redirects all the wealth of his giant corporation away from making weapons and towards things that benefit the world, like clean energy.

            And then… like… after his big speech… did he do it?

            Did he… personally supercede the governments of the world and force them to change their policy on refugees? Dude. He is a man in a wingsuit. He doesn’t have that ability.

            That’s why this whole argument is bunk. The complaint boils down to: “Why didn’t these characters drop everything they’re doing and start a violent revolution instead of dealing with the problems that are right in front of them?”

            That complaint has no merit, because it can be applied to almost every film ever. Why didn’t Andy Dufresne start a riot and force prison reform? Why didn’t Simba implement a social welfare program for the hyenas who helped murder his father? Why are all these high school students going to high school instead of starting a revolution?

            These are silly questions when you apply them to other movies. They’re even sillier when you apply them to MCU movies, which overall do a pretty decent job of addressing societal ills alongside the escapism.

            • theunknownmuncher@lemmy.world
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              5 hours ago

              😂 my man, I literally pointed out a trope of superhero films… this is like if I pointed out how cartooN physics is different than real life, “ACHTUALLY CARTOONS DO A PRETTY DECENT JOB BECAUSE THINGS STILL FALL DOWN”… 🤦

              You are fooling yourself about Marvel movies doing a decent job of addressing societies ills, though. They’re literally marketed to the widest audience and lowest common denominator possible, but I guess what one considers a “decent job” is pretty subjective. That’s fine though, they’re cashgrab mass market movies, no one expects anything more.

              And it just doesn’t seem like you know or understand what a sympathetic villain is… it doesn’t mean they are “right” or not actually a villain… 🤦

              That complaint has no merit, because it can be applied to almost every film ever. Why didn’t Andy Dufresne start a riot and force prison reform? Why didn’t Simba implement a social welfare program for the hyenas who helped murder his father? Why are all these high school students going to high school instead of starting a revolution?

              Um… what?? Andy Dufresne didn’t have super special awesome magic powers…? Lmao. And the Simba question is honestly a good one. Why didn’t he? He’s literally their ruler with that authority.

              • moakley@lemmy.world
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                3 hours ago

                How would Sam Wilson change international law? That’s what they’d need to do to address the root cause that created the Flag Smashers. For that particular challenge, he’s not much more powerful than Andy Dufresne. The one thing he does have is a platform, which he uses, which is something you said never happens.

                And it just doesn’t seem like you know or understand what a sympathetic villain is… it doesn’t mean they are “right” or not actually a villain…

                And you seem to be missing the part where I’m differentiating between the villain being sympathetic and their cause being sympathetic. The former (which you brought up) isn’t relevant to your original point, where the underlying issue needs to be addressed. It doesn’t matter how sympathetic Thanos is. The underlying issue is that he’s a mass-murdering madman, so how is it a valid complaint to say that the heroes never address the underlying issues?

                Suppose you took Thanos at face value and say the underlying cause is the concept of limited resources. What would that story look like, anyway? The Avengers alter reality to address the very concept of limited resources, creating a utopia across the entire universe? That sounds a little inaccessible.

                I think what you’re missing about the super hero genre is that their powers are generally limited in scope. They can’t just reshape the world (except in that one What If…? episode called “What If Kahouri Reshaped the World?”). They struggle just like everyone else, and then sometimes through great effort they can save the day. That’s what makes the stories good.

                 

                Anyway, I realized as I was writing the Simba thing that it actually was a good point, so I prepared an answer.

                The actual reason is that in the Lion King universe, “the Circle of Life” isn’t a complex series of interconnected, self-regulating systems like it is in real life. In-universe, it’s the dogma of an environmentalist death cult that holds together a fragile ecosystem. Any animal that doesn’t adhere to the death cult’s strictures is exiled from their society, like the hyenas.

                And like, the environmentalism is fine, but forcing the zebras, antelopes, and wildebeests to actively participate in a system where their role is to be eaten makes it a death cult.

                The system is explored in the sequel series Lion Guard, where Simba’s son goes around the Pride Lands using his super powerful Roar to maintain the status quo. Like if an alligator tries to eat too many of the wrong animal, the Lion Guard shows up and exiles them. Conversely, when a hyena agrees to adhere to the Circle of Life, she’s welcome in the Pride Lands. So it’s really a religious/cultural disagreement. Hyenas can’t be allowed in unless they’re willing to assimilate.

                There’s a disturbing conservative metaphor there, although the rest of it smells like a planned economy. Very authoritarian either way, but then again it’s not called Lion President.

      • YerLam@lemmy.world
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        19 hours ago

        There’s a TV trope for that: Reed Richards is Useless

        It has a list of reasons mostly narrative and marketing driven, so if the source material doesn’t allow it then the films wouldn’t either.

  • psx_crab@lemmy.zip
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    16 hours ago

    There’s like two way it could end when a superhuman being try to change the status quo for the good, one is through the courtroom, which is slow and boring, another one is to forcefully take over the “bad” government and force the “good” on people, which we have seen in something like Injustice.

    • Saleh@feddit.org
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      12 hours ago

      The court decisions are only worth something if the legislative made proper laws and the executive is enforcing them.

      But assuming superhuman capabilities the most obvious choice imo. is to use these abilities to help lift the most discriminated out of poverty. And if then the forces of the status quo come to take it away again, then he needs to fight them directly.

      • Docker@lemmy.world
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        10 hours ago

        In my country, the Judiciary is the biggest criminal while the legislatures belong to the mafia 🤐🤐🤐🤐🤐

      • psx_crab@lemmy.zip
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        11 hours ago

        The court decisions are only worth something if the legislative made proper laws and the executive is enforcing them.

        Yeah, but that is the only lasting change that can be done for the country, and it’s a slow and painful process.

        But assuming superhuman capabilities the most obvious choice imo. is to use these abilities to help lift the most discriminated out of poverty. And if then the forces of the status quo come to take it away again, then he needs to fight them directly.

        I think that’s why people love One Piece, liberating country out of their oppressor and challenging status quo is the theme.

  • SomeAmateur@sh.itjust.works
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    8 hours ago

    Metal Gear Solid 2 plays out like this. Spoilers below but it came out in 2001 so whatever

    The bad guy is a former President that knew his job was just as a figurehead, nothing more. He found out the hard way that even his orders came from a cutout.

    He recruited “terrorists” to take the sitting President “hostage” so they could “force him” to detonate an EMP over the east coast. The plan is to dismantle the AI actually running the government/censoring public opinion and hopefully free the country

    You play as the wide eyed idealistic special forces infiltrator, trained heavily through VR and sent to “rescue” the sitting President from the “terrorist leader” and learn that everything you know is wrong and you were given orders by the AI all along

    • toomanypancakes@lemmy.world
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      20 hours ago

      I beat that game once and this is the first time I had any idea what it was about, thanks for a solid explanation

    • sp3ctr4l@lemmy.dbzer0.com
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      18 hours ago

      This is tangential to the main point you are making, but:

      … I also always interpreted Raiden as basically Kojima more or less openly mocking or taunting the western player base of… well, mostly white male, naive/emo/astoundingly insecure children.

      I remember there being absolutely massive backlash when MGS2 came out with tons of ‘gamers’ just calling Raiden a ‘gay little effeminate f@ggot boy’ and shit like that.

      … Which I found quite funny in a meta-ironic sense.

      And then of course, if you…actually do play through the game… well, from Raiden’s POV, … it basically is a shonen, a coming of age arc, making mistakes, struggling, being confused… but ultimately getting his shit together just enough to … well maybe not " “save the day” ", but avert utter catastrophe…

      … as well as Raiden develops maturity as a character, reveals that… he actually has a lot of extremely serious trauma in his past, and he genuienly becomes a hero as he comes to terms with, and overcomes much of it.

      MGS2, where Hideo Kojima dared to ask: What if an action hero wasn’t an absolute badass with a gruff voice?

      (took western culture almost 20 years to even come up with the phrase ‘subversion of expectations’…)

    • KnightontheSun@sh.itjust.works
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      18 hours ago

      Spoilers below but it came out is 2001 so whatever

      I had someone get mad at me b/c I described a plot from a book written 70 years ago. I declined to edit my post to hide the “spoilers”. I guess I am the asshole.

    • Sundray@lemmus.org
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      20 hours ago

      The most shocking revelation was that Jack didn’t have any posters in his room!

  • arudesalad@sh.itjust.works
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    20 hours ago

    I haven’t watched those films in a while but isn’t one of spiderman’s things “fuck the police, help the poor”? I know he runs a food bank in the new games

    • Soggy@lemmy.world
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      20 hours ago

      It’s inconsistent, to put it mildly. Spider-Man is generally a working class hero and is also an impressionable kid constantly struggling under the pressure to do good. Sometimes that puts him at odds with NYPD, sometimes he comes out in favor of the Super Registration Act (he flip-flopped later)

      That’s what happens when a thousand writers contrivute to one canon.

  • Grass@sh.itjust.works
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    19 hours ago

    which movie is this referring to? I’ve been plugging away at the mcu movies and most of the time the enemy is the nazi spinoff faction seeking to subjugate all of humanity that embedded itself in multiple parts of the government. I only watched one of the other spider man movies and don’t remember anything about it

  • NONE@lemmy.world
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    19 hours ago

    This reminds me of a reel on Instagram where the singer Aurora said something along the lines of “Isn’t it weird how the «villains» want to break the status quo while the «heroes» seek to restore it?” and in the comments there were ones that said “For this nonsense people become leftist” and exactly right below that another one said “For this nonsense people become right-wing”.

  • DragonTypeWyvern@midwest.social
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    20 hours ago

    Tbh they only really swerved into it that hard with this Falcon movie.

    You know, the movie with themes of black empowerment where they engage in relentless apologia for General President Ross turning a man he did medical experiments on into a slave.