This was news to me as well, but I assume that the Arch Linux logo in question suggests that it might be strange to use an Arch Linux specific illustration, for something that isn’t mentioning Arch Linux.
Did that clear it up, or were you just being rude?
Use arch with AUR, and cross your fingers that at least someone checks the changes. I sure don’t.
Yes
Anyone get stuck and confused by “insisted”?
I’ve used both PS4 and Ps5 controllers. You don’t need to do anything except to plug it in.
I’ve only had issues in one game (Minishoot Adventures), where the solution was to disable controller support layer that steam comes with.
I haven’t tried Bluetooth, as I don’t mind the cable.
What a weird defeatist thought. We’re already in lala-land with 5% tax added, albeit measly, on the ruling class. So, why not lala all the way to a positive use of it?
Hm. He did have a part in it, but I don’t know how much. I haven’t seen it. I suppose I was too bombastic, and should correct it to “everything JJ has written, that I’ve seen, has been vapid shit”.
Last time I ranted about JJ, someone mentioned that he had made Person of Interest. So, I watched all of it. It was largely pretty good, except for the very weird filler episodes every season, that very much worked against the overarching plot. In any case, turned out that Jonathan Nolan wrote it, who is pretty good at that stuff. JJ is a decent director, so I don’t mind that part.
I’m sort of with you on S1 of the Expanse. Miller is such a good character. But, as you mention, it has a very different focus and vibe, and doesn’t give the right impression for what comes later. The acting also gets a lot better, as it’s sometimes a little bit rough in S1. If I remember correctly, the writers mentioned drawing inspiration from Aliens, which reflects on the more claustrophobic… horror like thematic. None of which stays after S1. So, I tend to plead for people to stick with it though S2.
If it was the opposite shift, that is, “fantastical” in S1, and detective noir in S2 and onwards, I’d probably say the same thing about sticking through S1 even if it didn’t hit home.
That said, I do enjoy the more fantastical theme… But Miller… Doors and corners… Mmm, I won’t spoil anything for anyone. I’m confident you know exactly what I mean.
Thanks for the clarification on the GoT/Expanse. Hadn’t thought about that.
Luckily, we’re still spoiled for choice. Or, I feel like I am. There are more quality TV shows and movies, than I have time to watch these days.
I wouldn’t be too quick to dismiss Chinese media industry. They have made some amazing films. Infernal Affairs, comes to mind. But, I’m the wrong person to come up with examples. I’m sure there are plenty.
Other than that, I agree with you. It’s the enshitification equivalent in Hollywood. It’s just a bit less engulfing, since good movies and shows can still be made, in spite of some of the watered down drivel and ruined franchises for short term profit margins.
Ah, I loved Wheel of Time. I’m making an effort to forget about it so I’m suddenly surprised by season 3 being done. The deviations from the books didn’t ruin it for me, like it seems it did for many. I just found it unnecessary, and mentioned it more as an example of bad writing, and did not mean to imply that all of it was bad. Far from it. Great actors all around, and amazing visual direction, oh, and costume designers! The forsaken, especially Ishamael… the clothing. It’s so good, I want to figure out who worked in it. And I don’t even care much about that stuff either, usually. They did so many things, absolutely brilliantly. Ending of S1 was very anticlimactic, so I get why that that in particular put people off.
I havent watched Rings of Power. Maybe I should, based on what you’re saying.
I didn’t understand what you meant by drawing on GoT for consolidating characters. Apologies.
PS: In case I gave the impression of being a miserable piece:
I think you’re right.
It also annoys me that the explanation for how common bad writing is, is that it still makes a lot of money. JJ can jump on to any beloved franchise, shit on every established rule and character, make the dumbest imaginable plot points that serve no other purpose than to move you from one visually pleasing trailer snippet location to the next… and people will go see it, and it’ll make a pile of money. So, why should they care?
First of all, I agree with everything you said.
PS: spoiler warning for Thee Body Problem, so just skip that paragraph.
However, I think that deviating from the source, or adding stuff, etc, wouldn’t be so destructive, if the writing was actually good.
Three Body Problem adapted by D&D, still felt a bit meh, because they made a bunch of changes that were just terrible writing. They didn’t understand the source material, so they made the VR stuff alien tech. They made the stars blink, not the cosmic background radiation. The dimension folding fuck up leading to a giant eye over… Earth?.. Why did they think that made any sense? It happened on Trisolaris, and it was such a goosebump inducing thing… Did D&D just think it might look cool, and… Since you cannot easily show it without showing the aliens… They kinda went “let’s just do it on earth”, even though it made no fucking sense whatsoever, because, they wouldn’t have any reason to play a fucking prank on earth. Shits and giggles weren’t their thing… Gah.
The Witcher suffered because the writing was actually quite bad at times.
Game of Thrones… I mean… I don’t know why Dumb and Dumber get their hands on any work whatsoever. They have shown they know nothing of the world and systems they write for, nor characters or development. It’s just embarrassing.
Halo, I haven’t watched. And Fallout, I just know that Nolan and Joy are absolutely amazing writers. The only concern I had was to what extent people like Tod could fuck things up.
I think what I’m trying to add is that: Good writers can tell very engaging adaptations within the existing constraints of lore, world and rules, but it doesn’t need to be existing canon. You can always tell new stories, as long as it sticks to the established rules and world building people expect. Bad writers fail at that, and often need to add contemporary trends where it doesn’t belong. The fundamental issue might just be a skill issue.
Good writing is hard. It requires a lot of effort. You need to be congruent with the world and rules you’ve built so far. Not everyone will notice everything that deviates. Noticing bad writing is catching a lie given the presented imagined premise. Some suspension of belief is of course necessary, or risk being an annoying pedant. But, don’t pretend someone is a level headed strategist, who then sends half their army out of a defensive fortification… to fight an enemy who is known to make dead soldiers fight for them. So which is it, do the people in charge know what castles are for, or did they suddenly become dumb as bread to suit some contrived narrative, or perhaps lack thereof?.. Gah…
J. J. Abrams didn’t deviate all that much from lore. But my God what a grade A moron he is when it comes to plots points. Thousands of extremely talented master craftsmen, all coming together to tell a story… that only works if you don’t think about it at all. And you might wonder which franchise in particular I’m referring to, as both apply.
The Expanse TV adaptation is a master class in doing everything right. TV is a different medium, and you cannot tell the story in the same exact way. But the changes they did, still told the same story, and most changes just suited visual medium better. They even had to off a character because of real life reasons, which was a little bit abrupt, but even so, they managed to adapt to that just fine.
Wheel of Time… weird additions and focus on romantic relationships that detracted from the magnitude and seriousness of the story itself. Maybe I was just a bit too young when I read the books, but I certainly didn’t remember it like that, and it made the characters feel weird, and… immature. Also, somewhat intellectually insulting. Personal sacrifice, and love (? I’m looking for a better word…) for someone, doesn’t require romantic interest.
I’m rambling.
TL;DR: Good writing good. Bad writing bad. Bad writing != not 100% aligned with source material. Contemporary tropes for no good reason = bad writing. JJ, please stick to directing. D&D… Maybe take up painting? Pretty please?
If they cannot report on things like this, you might wonder why they don’t report on important things like inequality, disappearing workers rights, etc, etc.
Maybe a mechanism for collective bargaining can help mitigate the problem? Something, something, Reagan.
Can I ask in which way it helps? Or perhaps, what in particular it helps with? For example, the “feeling guilty” part is very different from “motivation evaporates”, but remedying either, or something else entirely, can be considered helping.
I get mine to make a clicking sound. Audible to someone else if they stick their ear next to mine.
This covers it pretty well.
If you want a very short version: a hypothetical eventuality in the technological advancement of intelligent life, as to limit their existence.
Hm. I didn’t argue against anything of what you’re saying here. I’m just saying that it arguably isn’t “enshitification”.
Enshittification is the pattern of decreasing quality observed in online services and products such as Amazon, Facebook, Google Search, Twitter, Bandcamp, Reddit, Uber, and Unity
I don’t see how this is very contentious either.
People who expect an effortless transition from Windows to Linux, are better off sticking to Windows. You are expected to be able to read stuff, and make some effort to understand it. It shouldn’t be any less than what you’d expect if going from Linux to Windows.
Many things will be different. You’ll get a long way with learning some fundamentals. If you make the effort, it’ll be well rewarded. If it’s not worth the effort, stick to windows.