GTA Peace is kind of weirdly named for the content of the game. Maybe it’s meant to be ironic?

Honestly, if there were tight restrictions on how the footage is used and what cases it’s allowed to be turned over for, these are probably less dangerous than actual armed human beings running around. Robots don’t have a sense of egotism unless they’re programmed to, and hopefully wouldn’t be armed.

Knowing the kind of tech bros that seem to typically start companies like this, though? I could see it being an incredibly intrusive form of data mining. Seems like yet another case of technology that could be really helpful in the right hands, but a mess of enshittification in the hands of money-grubbing cap capitalists.

Having played Palworld a bit, some of the monsters are distinct from Pokemon, but some of them are incredibly obvious clones.

But like, looking back at some of the knock-off toys I remember seeing in the 80s and early 90s? It definitely seems like copyright has gotten more robust in its attempted overreach.

Someone ought to invert the colors, stick it in a jokey box, and call it a fair use parody.

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This is the problem with spending millions of dollars on games and focusing on profitability over actual quality or expression. Video games are fundamentally an art medium. You can choose to make some uninspired cash grabbing trash, and can even make a whole company built around that and make profit. But are you going to make a great game that way? Probably not.

You’d be better off with half a dozen people with passion and a comparatively minuscule budget. You might have to scale back from ultra realistic graphics and massive explorable areas with dozens of voice actors, but I don’t really think that makes games any better anyway. A little 2d rpg with really basic pixel graphics can put a big project to shame if it’s made with passion and emotion.

I kinda like it. It’s better for some shows than others, but like, look at Curb Your Enthusiasm. It would pop up every now and then, only to fade back into the aether for a few years, then come around again. It never felt forced, or like it wasn’t within its own continuity when it came back. Some time just passed, and that was alright. I feel the same way about Red Dwarf. It comes, it goes, it comes back again. We love it.

You can’t force it. It’s one thing if delays are because of studios or rights holders blocking creators from getting their work out, but if it’s part of the natural process? The process is the product, and sometimes good work needs time to percolate, or ferment, or whatever metaphor you want.

Don’t try!

Given the responses in this thread, it seems that the same bias exists even in ostensibly leftist spaces. Yikes.

Y’all need to get out more.

The money from energy companies dripping from both sides of this interview is disturbingly clear. My only hope is that where CNN is clearly grilling Harris for the interests of their investors (energy companies), Harris’ evasive responses are there to assuage the concerns of those investors long enough to get into office. She’s talking out of the side of her mouth for someone and probably needs to to get in office. I just hope that at the end of the day she sides with Earth and humanity over evil incarnate. I think she will, but she has to walk a tightrope to get there.

If I’m wrong I’ll probably be part of a literal chorus of leftists looking to make it extremely clear that she can be a one-term president if she doesn’t find her way to doing the right thing.

Using someone else’s IP, such as claiming that something you’re distributing is an episode of their show, most certainly qualifies for a valid DMCA takedown notice.

Moving blankets are a wonderful solution. Hang them over your windows and enjoy the quiet. Get thick ones. Uhaul has good ones.

I’ve had pretty decent luck with Notesnook. I wish they’d give it the capability to open multiple windows, but at least it hasn’t lost me any writing like Notion and Obsidian did.

Rip 'em apart! Make them into 6 different companies with single letter names and force two sets of two to share their letter to fuck with their marketing!

Too much thinking.

The right doesn’t care about accuracy, but they will pretend to to keep us busy. To counteract it, we can’t spend our time engaged in good faith arguments of carefully considered wording. We need to beat them on that flippant energy that shows we won’t take their bait and we know we’re right, so we don’t have to prove it.

Weird is perfect for that. They don’t want to be weird.

Now when they turn it around and try to call us weird? Then is the time to say ‘hey, that’s cool! I’m happy to be weird!’ and literally not worry about the contradiction at all.

They picked an arena where they can’t beat us. Let’s meet them there.

Dino Land for Genesis was a lot of fun!

Honestly I mostly just know because I have a big stack of old Game Pros and Nintendo Powers from the 90s and I only ever remember seeing Game Informer in Barnes and Noble once those became a thing.

But you may still be right! xD

2006 is a bit late in the game. Game magazines as a relevant medium peaked in the 90s. By 2006 you have a pretty robust internet, what’s the point? Yeah, sure, if you stick them in every single B&N they’ll sell, but Game Pro and Nintendo Power were institutions in the 90s. If you wanted to know about games, that was the way.

Bummer. Game Informer was the leading game magazine when Game Pro and Nintendo Power were around, though? I think not. Game Informer was third fiddle at best.

Well yeah, that’s not what super hero movies are for. Honestly, having a Marvel movie in your top 20 is just a good argument for watching a lot more movies. They’re fun but they’re not profound or amazing or particularly artfully shot or anything.

For a Deadpool movie though? It’s perfect. It captures the chaos and reference-heavy nature of the Deadpool comics about as well as you could expect.

Ooohhh, that does look promising! Good to know there’s some kind of viable alternative!