I think they just cannot live without an algorithm to recommend new music to them
Oh, piss off. I just want to financially support artists for making something beautiful I enjoy. Streaming is the easiest because of space constraints. I still buy the CDs of my most favourite albums, but I cannot stress enough how great it is to NOT have to rip the MP3s every time, make sure the tags are good, etc.
It’s convenient.
If you don’t like Spotify’s new ID check, kill your Spotify account and use an alternative - Tidal and Qobuz are both excellent.
woah woah woah, chill bro goddamn. let’s sit and think about this. Record labels take pretty much all of the cut for streaming. Here is the chart showing what each service pays artists per song played. I used to think Napster was the best and subscribed to them for years, which is ironic considering their history
obviously the payout is going to vary widely but it’s common knowledge that for even the most played artists, the pay from this avenue sucks. they simply use these services to get their music to potential concert goers since that’s the income that record labels actually let artists keep. vinyls, merch, and usually tickets unless they REALLY get fucked over like child musician groups tend to.
If You have an interest in discovering just how shady that industry is, you should watch this essay about payola and how it’s literally more profitable for a musician to die than it is to release a certain number of future albums. I’m going to stick to pirating albums and using my cash to actually see the artists I love
Of course I’d prefer to buy directly from the artist (hence: Bandcamp), but that’s not the world we live in. Flat out piracy is just the worst of all the available options.
woah woah woah, chill bro goddamn
Then stop saying stupid shit like “they just cannot live without an algorithm” when talking about people who use streaming services.
it really isn’t though. I don’t really know where you live or how your local economy is organized but where I’m at people in my tax bracket are extracted for every ounce of raw money we can generate, both now but even speculatively in the future. it really doesn’t make sense to consider theft as a taboo against corporations since we are literally a resource that’s being exploited in real time for far much more than whatever artists would lose if we all stole.
.sopuli is a Finnish board right? my understanding is that you guys have way stronger social ethics and consumer protection, so yeah. in your world I probably would sign up for that Napster subscription again. or even better, a service actually from Finland. Bandcamp is good too.
here, though in the present we have far worse things to worry about than theft. being tricked into defending the feelings of billionaires is a big one. letting corporations curate our education and media is another. but I hope you continue to have the life where you can engage with your economy in such a good intentioned way. I miss back when I felt I could do that too.
Oh, piss off. I just want to financially support artists for making something beautiful I enjoy. Streaming is the easiest because of space constraints. I still buy the CDs of my most favourite albums, but I cannot stress enough how great it is to NOT have to rip the MP3s every time, make sure the tags are good, etc.
It’s convenient.
If you don’t like Spotify’s new ID check, kill your Spotify account and use an alternative - Tidal and Qobuz are both excellent.
woah woah woah, chill bro goddamn. let’s sit and think about this. Record labels take pretty much all of the cut for streaming. Here is the chart showing what each service pays artists per song played. I used to think Napster was the best and subscribed to them for years, which is ironic considering their history
obviously the payout is going to vary widely but it’s common knowledge that for even the most played artists, the pay from this avenue sucks. they simply use these services to get their music to potential concert goers since that’s the income that record labels actually let artists keep. vinyls, merch, and usually tickets unless they REALLY get fucked over like child musician groups tend to.
If You have an interest in discovering just how shady that industry is, you should watch this essay about payola and how it’s literally more profitable for a musician to die than it is to release a certain number of future albums. I’m going to stick to pirating albums and using my cash to actually see the artists I love
It’s still giving them SOMETHING, isn’t it?
Of course I’d prefer to buy directly from the artist (hence: Bandcamp), but that’s not the world we live in. Flat out piracy is just the worst of all the available options.
Then stop saying stupid shit like “they just cannot live without an algorithm” when talking about people who use streaming services.
it really isn’t though. I don’t really know where you live or how your local economy is organized but where I’m at people in my tax bracket are extracted for every ounce of raw money we can generate, both now but even speculatively in the future. it really doesn’t make sense to consider theft as a taboo against corporations since we are literally a resource that’s being exploited in real time for far much more than whatever artists would lose if we all stole.
.sopuli is a Finnish board right? my understanding is that you guys have way stronger social ethics and consumer protection, so yeah. in your world I probably would sign up for that Napster subscription again. or even better, a service actually from Finland. Bandcamp is good too.
here, though in the present we have far worse things to worry about than theft. being tricked into defending the feelings of billionaires is a big one. letting corporations curate our education and media is another. but I hope you continue to have the life where you can engage with your economy in such a good intentioned way. I miss back when I felt I could do that too.